Saturday, April 04, 2009


Vendor Power! featured in New York Times

CUP’s Making Policy Public pamphlet VENDOR POWER! featured in the New York Times. Saki Knafo’s article, “Visual Aids for the Pushcart World,” is in the April 5, 2009, New York Sunday Times “The City” section.

Vendor Power! decodes the rules and regulations for New York’s 10,000 street vendors so they can understand their rights, avoid fines, and earn an honest living. Vendor Power! was commissioned by the Center for Urban Pedagogy and produced through a collaboration between the Street Vendor Project and Candy Chang.

Read the article:
  • Visual Aids for the Pushcart World

  • You can learn more about the Center for Urban Pedagogy (CUP) at
  • anothercupdevelopment.org

  • You can learn more about CUP’s Making Policy Public project at
  • makingpolicypublic.net







  • Photographs by Andrea Meller and Rosten Woo

    Sunday, March 01, 2009



    You are invited to celebrate with the Center for Urban Pedagogy (CUP):

    16 American architect-activists “go beyond building” to define a new form of social architecture. Join us to celebrate the U.S. Pavilion at the Venice Biennale at Parsons The New School for Design.

    Opening
    Wednesday March 4, 6 – 9 pm

    Exhibition dates and times
    March 4 through May 1, 2009
    Monday – Friday, 10 am – 8 pm
    Saturday – Sunday, 12 pm – 6 pm
    Free admission

    Participants
    The Center for Land Use Interpretation, the Center for Urban Pedagogy (CUP), Design Corps, Detroit Collaborative Design Center, The Edible Schoolyard/Yale Sustainable Food Project, Estudio Teddy Cruz, Gans Studio, The Heidelberg Project, International Center for Urban Ecology, Jonathan Kirschenfeld Associates, Project Row Houses, Rebar, Rural Studio, Smith and Others, Spatial Information Design Lab/ Laura Kurgan, Studio 804


    Into the Open: Positioning Practice is presented by Parsons The New School for Design, in collaboration with Slought Foundation and PARC Foundation, with media partner The Architect’s Newspaper. Generous support for the project has been received from the Bureau of Educational and Cultural Affairs, U.S. Department of State, Washington, D.C., in cooperation with the Peggy Guggenheim Collection, Venice.

    Curators
    William Menking, Aaron Levy, Andrew Sturm

    Parsons The New School for Design
    Anna-Maria and Stephen Kellen Gallery
    Sheila C. Johnson Design Center
    66 Fifth Avenue, entrance on 13th Street
    New York, NY 10011
    A fresh wind blowing.



    This video is part of an oral history project I did with my grandfather (step-grandfather), Klaus Brill (1913–2007). He came to the U.S. as a refugee in 1938 from Berlin, Germany. In this segment he talks about his high school homeroom teacher's discussion of German politics.
    (Interview from April 17, 2001)

    Sunday, February 01, 2009

    The Wannabe “Trailer”



    I made this while in post-production on my short film, The Wannabe. The film features Ramon Rodriguez and Suzette Gunn.

    Sunday, November 30, 2008

    Bio Short:

    Althea Wasow is a New York-based independent writer and filmmaker. Her work has focused on the experiences of outsiders and crime and punishment. Her film The Wannabe is based on the true story of a young man who told another man’s crime story as his own and was wrongfully convicted. It won the Best Short Film Award at HBO’s New York International Latino Film Festival and screened internationally at more than 40 film festivals. Althea has collaborated on photography books, documentary films and new media projects including: An American Index of the Hidden and Unfamiliar (co-writer and senior editor), Rikers High (co-producer), The Autobiography of Malcolm X Multimedia Study Environment (assistant editor), The Innocents (producer and project editor), and The Mark of Cain (associate producer). She is a co-founder of the Center for Urban Pedagogy (CUP). She obtained her MFA at Columbia University School of the Arts and her BA at Brown University.

    Bio Long:

    Althea Wasow is a New York-based independent writer and filmmaker. Her work has focused on the experiences of outsiders and cultures of crime and punishment.

    In 2006 she completed The Wannabe, a 35mm short film that she wrote and directed. In July 2006, The Wannabe was awarded Best Short Film at the New York International Latino Film Festival (presented by HBO). She is senior editor and co-writer of An American Index of the Hidden and Unfamiliar, an exhibition of photographs by Taryn Simon (the Whitney Museum of American Art spring 2007) and a book, of the same title, published by Steidl. She teaches in the Liberal Studies Program in the Faculty of Arts and Science at New York University.

    Althea was raised in New York City and educated in its public school system. She obtained her BA at Brown University where she graduated with honors (Phi Beta Kappa, magna cum laude) and was awarded a Modern Culture and Media Department prize for her Honors thesis on African cinema and the avant-garde. After teaching history and literature for two years at Bread and Roses Integrated Arts High School in Harlem, she enrolled in Columbia University’s School of the Arts Film Division. She obtained her MFA in film directing with Honors in 2006.

    In 2001 an experimental short video that Althea wrote and directed, The Whole World Revolved Around Her, featuring artist Wangechi Mutu, was exhibited as part of the Queens Museum of Art’s show “Crossing the Line.” In 2004 Althea was the sole recipient of the James Bridges Development Award for Excellence in Directing Actors, Columbia Film Division’s only development award for MFA directing candidates.

    While completing her MFA, Althea worked as the associate producer of The Mark of Cain, (directed by Alix Lambert) a feature documentary on tattooing practices in Russian prisons that aired on ABC “Nightline” and was nominated for an Independent Spirit Award in 2002. She also served as the producer and project editor of The Innocents (Taryn Simon and the Innocence Project), a photography book, documentary short, and traveling exhibition, that examine wrongful conviction in the American criminal justice system. She co-produced Rikers High (USA-France co-production of Showtime Independent Film and France 2), a feature documentary about the experiences of teenage boys incarcerated on Rikers Island. Rikers High premiered at the Tribeca Film Festival 2005 where it won the New York Loves Film - Best Documentary Feature Award. Althea also worked as an assistant editor on The Autobiography of Malcolm X Multimedia Study Environment, produced by the Columbia Center for New Media Teaching and Learning and Columbia’s Center for Contemporary Black History.

    Althea is a co-founder of the Center for Urban Pedagogy (CUP), a nonprofit organization that investigates the built environment by facilitating collaborations among advocates, architects, artists, city workers, educators, policy makers, residents and students. She serves as vice-chair of CUP’s board of directors. Althea was born in San Juan, Puerto Rico, and lived for one year each in Dhaka, Bangladesh, and Paris, France.

    Saturday, November 29, 2008

    The Wannabe: Director’s Notes

    The Wannabe is a short film that I wrote and directed. It is about a young man who tells another man’s crime story as his own.

    I am interested in the ways that we use narrative and aesthetic codes to produce ourselves as recognizable subjects (sexual, racial, cultural, national, gendered). My work is concerned with the struggles of outsiders, and those at the margins, to be seen, heard, and desired, and the failures that occur in the process of articulating one’s self using available terms. In The Wannabe a nobody seeks to prove that he is a real man. The film explores America’s fascination with crime stories and focuses on the true 1990 case of one man’s tragic attempt to tell his own. The film examines performance and storytelling and what happens when the emancipatory power these acts have in our lives gets twisted. I used film because it draws the audience into the captivating nature of popular cultural forms, specifically the seductive power of the gangster genre. Through my choices, I hope to provoke the audience’s complicity with the crime of the lead character: the crime of fantasizing that you are someone else and taking pleasure in storytelling.

    Thursday, November 27, 2008

    David Lemus: Not Guilty.

    On December 6, 2007, a jury in Manhattan State Supreme Court found David Lemus not guilty of murder in the 1990 Palladium nightclub shooting. David Lemus’s story inspired my short film The Wannabe.

    Thursday, October 30, 2008

    David Lemus sues the New York city police department and the Manhattan district attorney’s office for $50 million

    for “leaving him locked away even though they knew as early as 1994 that two other men had killed [Palladium bouncer Marcus] Peterson.”

    NY Daily News, October 27, 2008: “Family, lawsuit help David Lemus, a wrongfully accused man, move past 14 years in prison”